Samantha Humphreys

Art, Photography, Inspiration & Education

Tag: painting

Mastering the Art of ‘Being’

Bocking Nature Reserve (2025)

I stopped to look at the tree I pass each day, the reason I stopped was that the skies behind it were divided into a a summer blue and a thundery grey. The sun was bright on and off so there was a moment when the complex system of nerve like branches were very defined. There was a yellow glow through the moss green that highlighted the creases in the bark, reminding me of wrinkles that have been caked in make up.

It is important to take care of yourself mentally as well as keeping physically fit. If you are anything like me, your mind is constantly in overdrive with worries, lists, texts messages and endless pulls on your time and attention. Sometimes, switching to aeroplane mode just for a short while will see you (or feel) reaping the benefits later on. This gives you the chance pay attention to what is around you whether that be an urban concrete landscape or land wrapped in fields, forests and streams. Either way, there will be air, sounds and sights of all sorts.

It is quite tricky to get into the habit of noticing what you see throughout your day. A way of training yourself to do this is the simple exercise of asking yourself: What three colours can I see? then, Choose one of those colours and find three shades of it; so using my photograph above a reference:

‘green/brown/blue!’

Then, as i’m unlikely to find three shades of blue and there are plenty of neutral hues around the centre of the image, I will look for three shades of ‘brown’ …if you are familiar with colours of a artist palette you might say:

Burnt umber/Raw Umber and Ochre or if not then simply Dark Brown/Light Brown/Beige

While you are doing this exercise, you will be unaware of anything that isn’t about those colours, even if it takes you less than a few minutes.

Life is too short for just coasting, doing what we think we should do and not saying things we want to say. Let loved ones know they are loved and also, just as importantly, celebrate that you are alive and take care of you!

That London

Private View (2025) Samantha Humphreys

Last week I attended the opening evening of London Art Fair, an event which I have only missed once in the last twelve years. As always, the Encounters section curated by Pryle Behrman was the highlight for me. This year, the work that caught my attention surprisingly for me were a series of paintings by Zbyněk Sedlecký from the Czech Republic who was represented by The Chemistry Gallery.

As my own creative practices embrace real life, I was drawn to the beautiful way this artist captures genuine moments that are not in any sense beautiful. Instead, he focuses on the less attractive ‘in between’ times of life. The paintings were mesmerising because they were interchangeable between being photorealistic and richly painterly and my mind seemed to switch between the detailed positioning of the body parts, the exactness of the light bouncing off the cutlery and the blurry fuzziness of the edges of the paintings. I just love them, they are wonderfully dramatic, theatrical and unexciting all at once. The collection is reminiscent structurally of the renaissance period with its grand still life compositions that celebrated wealth and status: though in contrast the artist is honouring the mundane, yet with the same traditional medium that you can almost still smell.

Nine minutes Past Eight

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Nine Minutes Past Eight, (2019) Mixed media on plywood.

At nine minutes past eight just a few days ago I asked my friends a question ‘what does coffee mean to you?’ I received mainly one word answers immediately and I have presented them as miniature artworks, some inspired by the friend, others by the response given. As an artist I largely examine the boundaries between the digital and online presence and how it impacts our identity. Here I am focussing on how social media remains a useful tool for socialising and how Facebook, enables immediate social interaction bringing friends together within a digital environment, as coffee, in a physical space.

Painting

Yesterday at work, in our weekly student led drawing session the task was to apply paint to the surface without using any traditional methods of doing so. In other words, paintbrushes, palette knives etc ere not allowed. I rarely paint using a brush, my paintings tend to reflect how I’m feeling rather than have an intended visual outcome and applying with a brush doesn’t often fit in with this concept. It felt appropriate yesterday to use the discarded blister pack from my painkillers to push the paint around the surface with my fingers in the moulded bits.  I am pleased with the outcome, the drawing sessions are such an important part of our course as it forces us to keep creating and reflecting on our practice.

Untitled (2019) Oil, Water Colour and Acrylic on Water Colour Paper 105 × 148 mm

Untitled (2019) Oil, Water Colour and Acrylic on Water Colour Paper 105 × 148 mm

Untitled (2019) Oil, Water Colour and Acrylic on Water Colour Paper 105 × 148 mm

Untitled (2019) Oil, Water Colour and Acrylic on Water Colour Paper 105 × 148 mm

Untitled (2019) Oil, Water Colour and Acrylic on Water Colour Paper 105 × 148 mm