I should have seen it coming back then, how could I not have?
For the last few years my work has predominantly been concerned with social media and life documenting. In contrast I have recently found my interest reaching toward the distorted memories that a life spent documenting our daily life events creates. I have begun to create work that plays with real fragments of memories, or at least real to me: and if changed or distorted it is only through the naturally ageing brain rather than the memory having been enhanced to begin with.
I am particularly excited by the stirring of a long forgotten moment, triggered by something seemingly unrelated. I recently walked into a room and a structure in the corner reminded me of an aviary. I then remembered that I often visited the aviary in Sefton Park, Liverpool during weekends with my grandparents.
Before 13 (2016), Acrylic, Ink, Pencil & Carbon print on paper
Untitled (2016) Acrylic, Coffee and Pins on board.
Inspired by recent research into Abstract Expressionism, I’m exploring painting at times when I’m feeling certain emotions. I chose paint as a medium as it is not a material I am used to so using it it this way was certain to add something to the outcome. (I was not likely to be influenced by previous ways of working)
We have developed a dependency on those devices that provide us with all we need to know about the world and they are all we need to let the world know about us. How about if there was nothing more than what was contained within the edges of the box we hold in our hand, no further searching, no further discovering….