Samantha Humphreys

Art, Photography, Inspiration & Education

Category: painting

Balancing Life with Art: Techniques for Clarity

Grounding (2026) Watercolour on sheet music

I talked in my last post of restarting my year as it went a little awry mid January. I have reset my workload so it is a little more balanced and, I have started a cycle of decluttering both my home, art room and mind. Clearing my mind has not been something I have ever been able to achieve; when someone says “empty your mind,” what happens to me is that my brain panics, and every thought I have ever had starts whizzing around my head like a chaotic whirlwind.

However, I can use art as a means to focus. There are several exercises I have written for journaling that really work for me. By concentrating on the process, whether it’s the soft, flowing motions of watercolours or the crisp lines from a black fine liner (and I believe both mediums together create a marriage made in heaven!), I’ve found a way to channel that restless energy. It’s easy to block out the challenges of life by mark-making in those small, delicious moments of creativity. The more I practice these techniques, the easier it becomes for me to not ’empty my mind’ entirely but rather to recall the calming process of the art exercises. This recall can gently bring me back to the present moment, offering a reprieve from any noise that might be in my head.

Today was a bit different; the day was a little brighter and clearer, allowing me to enjoy a long walk, a luxury I haven’t had time to indulge in recently. Instead, I have been settling for several shorter walks, which are nice but don’t quite compare to the liberating feeling longer time out. It was refreshing to have the chance immerse myself in my audiobook.

In addition, I have been writing workshops that I am running soon and developing lessons to sell online. Of course, I’ve been immersing myself in making the art necessary to write these lessons, ensuring that I carve out these small mindful moments into each day. These activities not only fuel my creative spirit but also provide an avenue for self-exploration, allowing me to connect deeper with my artistic side. My commitment to maintaining balance and mindfulness is more than just a goal; it’s becoming an integral part of my life.

Creating Mindfulness in Nature: A Reflective Outing

Garden, ARU Writtle, (2025)

This weekend, I was working alongside fellow creatives in leading some community workshops in a non residential retreat. Titled, Creative Calm, these were held on the beautiful campus at ARU Writtle. I designed short tasks using drawing, painting, and writing. These short tasks embrace the idea that mindfulness can be achieved by focusing only on the moment.

Engaging with nature is known to improve life balance. It keeps us mentally fit and promotes a positive sense of wellbeing. Walking in green spaces, forests, woods, and fields makes us feel wholesome. More importantly, it allows us to reset our busy minds when partaking at either end of the day. Being creative also holds these powers. It doesn’t matter if you are an experienced and confident artist. You can also enjoy these benefits, even if you consider your skills to lie elsewhere. The secret to unlocking the powers is understanding that we, as humans, are part of nature. We are not a separate entity. Nature is made up of living, moving, ageing and ever-changing matter. We are just that. 

Last week was filled with sad news of the passing of friends and family of friends. I chose a corner of the memorial garden on campus to create a watercolour painting. I’m unsure if that is the name of the garden. It has become a place where tributes are left in memory of those that have passed in recent years. It is also a retreat for peaceful sitting. As I studied the leaves, flowers and man made structures; I reflected, just sat and thought. I layered my painting with the subtle changes in green tone. My aim was to give it the depth and richness I wanted to achieve. I pondered (now there’s a word I don’t use often enough) on how and when we turn to nature. We use plant materials to celebrate life, whether that life is in the current, recently or long since passed. Flowers are given, wreaths or bouquets are laid or trees are planted in memorial. We become connected to nature by these acts of tenderness throughout our lives; we become memories planted firmly in those places of solace when we have moved on. This little corner of the campus is truly a wonderful place for addressing life balance and mental reset. Capturing the current through text and poetry can develop or strengthen mindful practice. It lets us close all the open tabs and hit the power down button for a short while.

My outcome from this session? Life really is too short, do what feels right and change direction if necessary. Cliched I know, but there are many paths to explore.

An unexpected (but very much appreciated) moment of Joy

Yesterday, while I took a short walk around Great Waltham between my classes, I found a beautiful patch of early crocus on some communal grass area. I looked around in the hope of finding a fallen, broken flower so I could take it back for the evening botanical drawing session, but alas, there was none. Also, it was great that there was none, because there were some that had been mightily flattened by the heavy downpours and still looked very securely attached to their stems and firmly rooted in the ground.

I noticed that the colour palette was very much in line with my own yesterday. I was wearing green and purple which I have also thought was very much a Daphne from Scooby Doo signature, so at least now I can instead associate it with spring colours instead.

What were the chances that I would choose to wear that combination on the same day that I decided to go for a walk between the classes and I would walk that way? That I would do this on the narrow window of time that these flowers bloom? Sometimes all the stars fall into line and bring about these small, really inconsequential happenings that do, for some reason, bring some much needed childlike joy to my brain!

That London

Private View (2025) Samantha Humphreys

Last week I attended the opening evening of London Art Fair, an event which I have only missed once in the last twelve years. As always, the Encounters section curated by Pryle Behrman was the highlight for me. This year, the work that caught my attention surprisingly for me were a series of paintings by Zbyněk Sedlecký from the Czech Republic who was represented by The Chemistry Gallery.

As my own creative practices embrace real life, I was drawn to the beautiful way this artist captures genuine moments that are not in any sense beautiful. Instead, he focuses on the less attractive ‘in between’ times of life. The paintings were mesmerising because they were interchangeable between being photorealistic and richly painterly and my mind seemed to switch between the detailed positioning of the body parts, the exactness of the light bouncing off the cutlery and the blurry fuzziness of the edges of the paintings. I just love them, they are wonderfully dramatic, theatrical and unexciting all at once. The collection is reminiscent structurally of the renaissance period with its grand still life compositions that celebrated wealth and status: though in contrast the artist is honouring the mundane, yet with the same traditional medium that you can almost still smell.